(Pitchfork earns a commission from purchases made through affiliate links on our site. Its value field specifies the container type for the repeatable annotation. noncount : the act of adding notes or comments to something : the act of annotating something. Without the annotations, the diagram would be hard to understand. count : a note added to a text, book, drawing, etc., as a comment or explanation. For an annotation to be repeatable it must be annotated with the Repeatable annotation, which is defined in the package. Britannica Dictionary definition of ANNOTATION. Knxwledge remains a distinctive and prolific sculptor of sounds, but consistency alone feels like a low bar to clear, especially for an artist with such reverence for the infinite forms music can take. Category 5: Repeating Annotations These are the annotations that can be applied to a single item more than once. Read in sequence, the song titles spell out a mission statement of sorts, but the music here is ultimately standard Knxwledge. That said, while the loops and beats of 1988 are as hypnotic and outre as ever, other than the cleared samples and elevated sense of personality, there’s not enough about 1988 that distinguishes it from, say, WT15.8_, released a week before, or that rises to the devil-may-care attitude of Knxwledge’s Vimeo page. Knxwledge seems endlessly fascinated by the voice’s ability to spawn new rhythms or bind disparate ones together. St-90931, Annotation feature class to cad, Healthy guard dog breeds. Paak vocal, freeing the crooner’s voice to drag and spill across measures. Prayer intentions for the day, Suburb meaning yahoo answers, Marseille agenda. Likewise, the soured horns of “solivelife” drift around a helium-laced Anderson. The feathery keys and faint percussion on “watchwhoukallyourhomie,” a flip of an old Meek Mill freestyle, trace the edges of Meek’s buoyant yelps, matching his bobs and weaves. While he’s clearly a student of J Dilla and Madlib, Knxwledge distinguishes himself with his special attention to the contours of the human voice. It's a simple change, but it unlocks the funk embedded in the song, which itself samples Patrice Rushen’s “Remind Me.” It feels less like a tweak than a correction. For “amansloveislife_keepon,” another Kut Klose flip, Knxwledge rearranges the groove of “Keep On” around the instrumentation instead of the group’s harmonies. “Don’t be afraid of the way you feel,” the group sings, their voices altered to waft over snappy percussion. On opener “dont be afraid” Knxwledge snips ’90s R&B group Kut Klose’s “Surrender” into a sensuous, yearning loop. There’s always been a strong sense of nostalgia to his work, but he has an agnostic’s ability to cherish the past while shaping it to his needs. Named after the year he was born and filled with pop culture ephemera like soundbites from Cooley High and radio interviews, 1988 celebrates Knxwledge’s origins and fixations. In terms of method, 1988 is virtually no different from the beat tapes and mixes Knxwledge releases with the regularity of software patches, but its warm, teasing aura sets it somewhat apart.
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